Partitions Numériques de Me Too pour Saxophone et Orgue

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Me Too
Non classifié 262

Piano & claviers
Piano seul 208
Piano, Voix et Guitare 127
Piano, Voix 124
Piano Facile 30
Instruments en Do 29

2 Pianos, 4 mains 22
Piano grosses notes 6
Orgue 6
1 Piano, 4 mains 4
Piano Trio: piano, violon, violoncelle 4
Accompagnement Piano 3
Accordéon 2
Orgue, Trompette (duo) 1
Piano Quatuor: piano, 2 violons, violoncelle 1

+ 9 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 40
Guitare notes et tablatures 34
Guitare 14
Paroles et Accords 13
Basse electrique 10

Ukulele 6
3 Guitares (trio) 1
Piano, Guitare (duo) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 91
Chorale 3 parties 19
Chorale TTBB 18
Chorale 2 parties 17
Chorale SSAA 10

Chorale Unison 6
Voix duo, Piano 5
Voix seule 4
Voix haute 3
Voix Soprano, Piano 2
Voix duo 1
Voix Soprano 1

+ 7 instrumentations

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Vents
Quatuor de Saxophones: 4 saxophones 25
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 17
Flûte, Hautbois, Clarinette, Basson 17
Saxophone Alto 13
2 Saxophones (duo) 12

Saxophone (partie séparée) 12
Flûte traversière 12
Clarinette 10
Quatuor de Clarinettes: 4 clarinettes 10
Quintette de Saxophone: 5 saxophones 9
Clarinette et Piano 7
2 Clarinettes (duo) 7
Ensemble de Flûtes 7
2 Flûtes traversières (duo) 6
Saxophone Tenor 5
Flûte traversière et Piano 5
Hautbois, Piano (duo) 5
Saxophone Alto et Piano 4
Saxophone Soprano 4
2 Hautbois (duo) 4
Hautbois 3
3 Saxophones (trio) 3
3 Clarinettes (trio) 3
Quatuor de Flûtes : 4 flûtes 3
Instruments en Mib 2
Saxophone Soprano et Piano 2
Saxophone Baryton 2
Saxophone Tenor et Piano 2
Hautbois, Clarinette, Basson (trio d'anches) 2
Flûte et Guitare 2
Hautbois (partie séparée) 2
Ensemble de Clarinettes 2
Quintette de Flûte : 5 flûtes 1
Clarinette, Violon (duo) 1
Ensemble de saxophones 1
Quatuor de Flûtes à bec 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette, Violoncelle, Piano (trio) 1
Clarinette Basse 1
Saxophone et Orgue 1

Saxophone et Guitare 1
Flûte, Violon 1

+ 37 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 28
Trompette 13
Trombone 10
Quatuor de Cuivres : 2 trompettes, trombone, tuba 8
2 Trombones (duo) 5

Trombone et Piano 5
2 Cors (duo) 4
Cor 4
Cor et Piano 4
Trompette, Piano 4
2 Trompettes (duo) 4
Tuba 3
Bass Clef Instruments 3
Instruments en Sib 2
Euphonium 2
Quatuor de cuivres: 4 cors 2
2 Euphoniums et 2 Tubas 1
Quatuor de cuivres: 4 trombones 1
Trompette (partie séparée) 1
4 Tubas 1
Tuba et Piano 1
2 Tubas (duo) 1
Quatuor de Cuivres: 2 trompettes, Cor, trombone 1
Ensemble de Tubas 1

+ 19 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 66
Violon 31
Violon, Violoncelle (duo) 28
Trio à Cordes: violon, alto, violoncelle 26
Quintette à cordes: 2 violons, alto, violoncelle, basse 14

Harpe 12
Violon et Piano 12
2 Violons (duo) 11
2 Violoncelles (duo) 10
2 Altos (duo) 9
Violoncelle, Piano 7
Violoncelle 6
Alto seul 5
Violoncelle (partie séparée) 5
Alto, Piano 4
Alto, Violoncelle (duo) 3
Alto (partie séparée) 2
Violon, Alto (duo) 2
Harpe, Flûte (duo) 1
Harpe, Violon, Violoncelle 1
Violon, Guitare (duo) 1
2 Harpes (duo) 1
Contrebasse (partie séparée) 1
Trio à Cordes: 2 violons, violoncelle 1
Harpe et Piano 1
Harpe, Voix 1

+ 21 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 42
Orchestre à Cordes 27
Orchestre de chambre 17
Ensemble Jazz 16
Orchestre 15

Ensemble de cuivres 15
Batterie 10
Jazz combo 4
Ensemble de Percussions 3
Fanfare 2
Xylophone ou Marimba ou Vibraphone 1
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier 1
Xylophone, Piano 1
Piano et Orchestre 1

+ 9 instrumentations

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Me Too

Saxophone et Orgue

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1 partition trouvée

What Would Nina Simone Say? For Soprano Sax & Organ (9'50")

What Would Nina Simone Say? For Soprano Sax & Organ (9'50") #Saxophone et Orgue #AVANCÉ #Contemporain #Judith Cloud #What Would Nina Simone Say? Fo #Judith Cloud #SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages...(+)

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.

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